As the seventeenth century came to a close and more and more people in Europe were moving to the cities, there was naturally a counter-movement in literature and the arts that decried the swiftly-changing face of society and technology. The Romantic Movement had its roots in Germany, as a response to nostalgia for a
"simplef' time that was fading away into the past. As the Victorians had a fascination with ancient Greek and Roman pagan culture, the Romantics pitted the pastoral ideas of those "uncivilized" eras (nature, creativity, and freedom) against the unnatural, stifled, authoritarian world of the modern age. Shelves of new books and poetry dedicated to the old gods of Greece began to appear; writers such as Wordsworth, Lord Byron, Keats, and Shelley all devoted their words to the Romantic ideals. Most of these writers considered the Greco/Roman gods to be only metaphors, and were more interested in the supposedly-idyllic pastoral society they represented than in their actual worship.
In this literature, one of the favored gods was Pan, who was a relatively minor deity in ancient times but who symbolized all the qualities that the Romantics sought to reclaim from the ugly world of the cities. He was, to the restrained attitudes of the Victorians, a subversive and hedonistic influence.
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